Sunday, January 24, 2010

Why Is My Skin Green After I Shave

laboratories spring-summer

Registration is open to
LABORATORIES OF ACTING SPRING-SUMMER LINGUAGGICREATIVI
from March to June

HEADQUARTERS WAY TO CEZANNE 3, Milan (MM2 Romolo and Pta. Genova, Tram 2, Bus 47)

limited number of insurance for each student enrolled

Budget provided for each production
Ample parking
cost € 600 discount installment payments
10% for those registering before February 8 The

FOR THE CONSTRUCTION OF A SHOW

The laboratory project has as its main objective is to accompany students on a journey of learning the art / craft of the actor: it will create a structured group work in the manner of a company . Without neglecting or forgetting the pedagogical aspect of the completion of training, each laboratory will have as its purpose the preparation and staging of a show.


Tuesday, 20:30 to 23:30 hours (first round: March 2, 2010)

Perela CODE: tragicomic joke for many actresses, actors and just an ideal.
Directed by Mr. Amedeo Romeo

Perela is a man made of smoke, intangible, light, indecipherable, travels the world wearing nothing but a beautiful pair of boots, addressing everyone with simplicity and candor.
In this journey, which will lead to the court of King Perela becomes for those who will find what everyone wants to see him, friend, confidant, object of desire, the savior of his country, and finally accused of a terrible crime, scapegoat. In our performance
Mr. Perela But is not there, or better, but is not seen. On stage, however, move elegant, mellifluous and enraged many characters, beautiful women, kings, queens, courtiers, essays, heretics, and military travelers.
The novel, written by Palazzeschi as an uninterrupted stretch of a tight dialogue, an opportunity for an in-depth focus on the many characters and their emotional development, as well as a great starting point for reflection on the ephemeral nature of our strongest convictions.

Wednesday at 20-23 (first round March 3, 2010)
THE PRECIOUS ridiculous
director Maria Pia Pagliarecci

Send The precious ridiculous is a one-act comedy that mocks the fashion of Moliere's called precious, a cultural movement with a strong secular and worldly, which sought to create a new style of life that give space to the elegance and good taste. Molière with this single act, for the first time in French theater, introduces a current topic with a strong cutting satire. His parody was actually directed not so much to the valuable per se, but his clumsy imitation. The two boys in the province, and Madelon Cathos, once you arrive in Paris, are anxious to appropriate attitudes to fashion and most are pathetic and ridiculous that the shot came up from the suitors is a bitter disappointment insult jokes. Molière, like all great authors and their works, is a good gym to test their skills with comedy and drama with a perfect mechanism. In addition, the theme of "awe" and submission to the various models that are from time to time in the fashion is always very timely and have fun to find in the contemporary phenomena equivalent to the "precious".

Thursday at 20-23 (first round on March 4)
UBU THE SAGA OF OR mad as a hatter
directed by Paul Trotti

The saga of Ubu is a fun on the craziness of power. Written and rewritten throughout his life by Jarry, the texts refer to Greek tragedy and Shakespearean drama to mock the powerful and the credulity of the people. Ubu Ubu mother and father are ridiculous clowns who surround ridiculous to be ruthlessly putting on stage the cruelty of the human soul in all its forms. The course work will start by choosing a text Ubu King, Ubu and Ubu Bound at gunpoint and then dwell on the instincts that produce and induce laughter carried to the extreme becomes tragedy. As well as tragedy, taken to its extreme becomes ridiculous.

Information:
info@linguaggicreativi.it
www.linguaggicreativi.it

Thursday, January 14, 2010

Brazilian Waxing At Jcp Salon

Dear Minister, You are mistaken

I read about the "Sole 24 ore" on January 14, 2010:
"I have the impression that reality is not fully captured by statistics on Gross Domestic Product." The Minister of Economy, Giulio Tremonti, speaking at a conference organized in the capital of the Aspen. And if it is true that "statistics are made on the GDP," it is also true that the world has changed in a manner different calculation. "If they were calculated and acquired - said Tremonti-relevant data such as beauty, environment, history, climate, Italy had an embarrassing first position, followed at a distance from many other lands. "

Dear Minister, you're wrong.
If your argument were correct, let me correct it.
Applying the parameters that you suggested to consider for the determination of GDP in the first place would not be Italy but Greece.
The Greek beauty is a fact established and universally recognized.
The environment of the Greek islands is unparalleled.
History! Well, Mr. Minister history with a capital S, everybody knows which country it belongs.
And finally, you indicate the climate.
this parameter leave the commentary to the tourists who visit the two countries.
hope of convincing him to admit his mistake. On the contrary to convince you at all, I urge you to spend the holidays my guest in my home region.

The Laconia.