Registration is open to
LABORATORIES OF ACTING SPRING-SUMMER LINGUAGGICREATIVI
from March to June
HEADQUARTERS WAY TO CEZANNE 3, Milan (MM2 Romolo and Pta. Genova, Tram 2, Bus 47)
limited number of insurance for each student enrolled
Budget provided for each production
Ample parking
cost € 600 discount installment payments
10% for those registering before February 8 The
FOR THE CONSTRUCTION OF A SHOW
The laboratory project has as its main objective is to accompany students on a journey of learning the art / craft of the actor: it will create a structured group work in the manner of a company . Without neglecting or forgetting the pedagogical aspect of the completion of training, each laboratory will have as its purpose the preparation and staging of a show.
Tuesday, 20:30 to 23:30 hours (first round: March 2, 2010)
Perela CODE: tragicomic joke for many actresses, actors and just an ideal.
Directed by Mr. Amedeo Romeo
Perela is a man made of smoke, intangible, light, indecipherable, travels the world wearing nothing but a beautiful pair of boots, addressing everyone with simplicity and candor.
In this journey, which will lead to the court of King Perela becomes for those who will find what everyone wants to see him, friend, confidant, object of desire, the savior of his country, and finally accused of a terrible crime, scapegoat. In our performance
Mr. Perela But is not there, or better, but is not seen. On stage, however, move elegant, mellifluous and enraged many characters, beautiful women, kings, queens, courtiers, essays, heretics, and military travelers.
The novel, written by Palazzeschi as an uninterrupted stretch of a tight dialogue, an opportunity for an in-depth focus on the many characters and their emotional development, as well as a great starting point for reflection on the ephemeral nature of our strongest convictions.
Wednesday at 20-23 (first round March 3, 2010)
LABORATORIES OF ACTING SPRING-SUMMER LINGUAGGICREATIVI
from March to June
HEADQUARTERS WAY TO CEZANNE 3, Milan (MM2 Romolo and Pta. Genova, Tram 2, Bus 47)
limited number of insurance for each student enrolled
Budget provided for each production
Ample parking
cost € 600 discount installment payments
10% for those registering before February 8 The
FOR THE CONSTRUCTION OF A SHOW
The laboratory project has as its main objective is to accompany students on a journey of learning the art / craft of the actor: it will create a structured group work in the manner of a company . Without neglecting or forgetting the pedagogical aspect of the completion of training, each laboratory will have as its purpose the preparation and staging of a show.
Tuesday, 20:30 to 23:30 hours (first round: March 2, 2010)
Perela CODE: tragicomic joke for many actresses, actors and just an ideal.
Directed by Mr. Amedeo Romeo
Perela is a man made of smoke, intangible, light, indecipherable, travels the world wearing nothing but a beautiful pair of boots, addressing everyone with simplicity and candor.
In this journey, which will lead to the court of King Perela becomes for those who will find what everyone wants to see him, friend, confidant, object of desire, the savior of his country, and finally accused of a terrible crime, scapegoat. In our performance
Mr. Perela But is not there, or better, but is not seen. On stage, however, move elegant, mellifluous and enraged many characters, beautiful women, kings, queens, courtiers, essays, heretics, and military travelers.
The novel, written by Palazzeschi as an uninterrupted stretch of a tight dialogue, an opportunity for an in-depth focus on the many characters and their emotional development, as well as a great starting point for reflection on the ephemeral nature of our strongest convictions.
Wednesday at 20-23 (first round March 3, 2010)
THE PRECIOUS ridiculous
director Maria Pia Pagliarecci
Send The precious ridiculous is a one-act comedy that mocks the fashion of Moliere's called precious, a cultural movement with a strong secular and worldly, which sought to create a new style of life that give space to the elegance and good taste. Molière with this single act, for the first time in French theater, introduces a current topic with a strong cutting satire. His parody was actually directed not so much to the valuable per se, but his clumsy imitation. The two boys in the province, and Madelon Cathos, once you arrive in Paris, are anxious to appropriate attitudes to fashion and most are pathetic and ridiculous that the shot came up from the suitors is a bitter disappointment insult jokes. Molière, like all great authors and their works, is a good gym to test their skills with comedy and drama with a perfect mechanism. In addition, the theme of "awe" and submission to the various models that are from time to time in the fashion is always very timely and have fun to find in the contemporary phenomena equivalent to the "precious".
Thursday at 20-23 (first round on March 4)
UBU THE SAGA OF OR mad as a hatter
directed by Paul Trotti
The saga of Ubu is a fun on the craziness of power. Written and rewritten throughout his life by Jarry, the texts refer to Greek tragedy and Shakespearean drama to mock the powerful and the credulity of the people. Ubu Ubu mother and father are ridiculous clowns who surround ridiculous to be ruthlessly putting on stage the cruelty of the human soul in all its forms. The course work will start by choosing a text Ubu King, Ubu and Ubu Bound at gunpoint and then dwell on the instincts that produce and induce laughter carried to the extreme becomes tragedy. As well as tragedy, taken to its extreme becomes ridiculous.
Information:
info@linguaggicreativi.it
www.linguaggicreativi.it
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