How appropriate to clarify the author in his introduction to the work that consists of a collection of articles by literary genre, written at different times, chosen not so much follow a logical thread rather than intrinsic to the emotional side felt in a long time after reading.
Without having the ambition to in-depth discourse on the major contemporary Italian poets and novelists, cultural ties is in fact a mixture of short essays and interviews, however, able to interest the reader to its completeness, in spite of a shortness discursive rather than harm, provides a summary of features at all obvious and commendable. A
Bacchelli are devoted, quite rightly, not a few pages, cover, as well as a critique sheet, the answers to several questions posed to writers and weight, however, able to make judgments made, such as Geno Pampaloni, Silvano Demarchi and Walter Mauro, just to name a few.
By contrast, albeit limited, between the views emerge as a very lively and certainly honor the author of novels for basic Italian literature, such as The Mill on the Po The Devil and to Pontelungo .
Of particular interest, especially for me, is Then an interview with Joseph Bonaviri, with questions that hit well highlight the thought of the great writer of Mineo.
There's also a little article about "why the poem," a classic question I would say in this case accompanied by a response-analysis, perhaps not entirely acceptable, but logical and consistent in its articulation.
Of all these series of articles that struck me most about Nino Palumbo, the writer of Trani, who died in 1983. What seems most important in this paper is, however, the interview, which shows clearly the author's personality than ever wriggling in their answers, even carrying out his thoughts with an appreciable consistency and without fear. I regret never having read anything by Palumbo and I think I will in this regard as soon as possible.
Here, one of the many strengths of this book is to intrigue the reader, to make him rise to the interest in a writer or a poet perhaps little known to him, and desired to see some of his works, and what is truly valuable I honor and respect to Fulvio Castellani, who ask you to act without delay to the drafting of a similar mix that embraces and includes other authors, perhaps not known, but of good quality. In recommending
cultural ties I might add that reading, never tiring, it's certainly agile and pleasant, so you can say that you learn while having fun.
Renzo Montagnoli
http://www.arteinsieme.net/renzo/index.php?m=31&det=7624
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